A SERBIAN FILM was featured in the issue 295 (August) of the horror magazine FANGORIA.
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A SERBIAN FILM TO DISTURB YOU
Think you've seen it all? Then strap yourself in and prepare for the latest Eurohorror assault.
By JAY SLATER
As horror cinema goes, A Serbian Film (Srpski Film) does not know where to stop. It spits in the face of taboos, charges through boundaries where others fear to tread and gives the one-fingered salute to authority. It doesn't care about sensibilities or good taste. It laughs at the censors. It's a movie that wants to disturb, sicken and haunt, its twisted angst guaranteeing such promises as it goes through its motions, the gas pedal pressed firmly to the metal.
A Serbian Film is the first feature-length movie by Srdjan Spasojevic, who had previously experimented with student shorts. With this project, he went for the jugular with gusto and glee, wanting his audience to wallow in its bloody depravity but also to enlighten them with an overtly political allegory. An extreme Heart of Darkness, Spasojevic's film is, believe it or not, more intense and hard to watch than such past infamous splatter and torture flicks as Faces of Death, Cannibal Holocaust, the Saw series and In a Glass Cage. This is the real deal-a movie that is not afraid of censorship or controversy. The horror film of 2010 has arrived, and it means serious business. You have been warned-but if you dare, A Serbian Film is now making its way around the festival circuit, including a showcase at Montreal's Fantasia in July.
An independent production with crisp RED ONE cinematography and a breathtaking techno score by Sky Wikluh, A Serbian Film weaves the crimson-spattered story of Milo (Srdjan Todorovic), an ex-porn star who is reluctantly sucked into the underground sex 'n' snuff racket. The narrative then nosedives into incredible bad taste and unpleasantness as Milo's world is turned upside down, shaken by a reality that is twisted by nightmares and false turns. As a consequence, it replays the structure of Videodrome while retaining a unique sociopolitical flavor. "My desire was to communicate some strong ideas and feelings about my environment and the world we live in today, and shape them into a kind of film I would love to make," Spasojevic says modestly while sipping from a generous glass of black vodka and ice in Blaywatch, a noisy, bustling bar stocked with long-legged beauties that floats on the Danube River.
A Serbian Film, which Spasojevic scripted with Aleksandar Radivojevic, is indeed a political animal as well as an all-out horror movie, stomping in the template of a confused motherland after sudden social upheaval once the Cold War thawed -and, of course, extreme physical violence and sexual degradation in spades. It is proud of its origins, and like a phoenix rising from the ashes, came out of nowhere to stun the fest circuit into submission. The film benefits from the wonderful lead performance by Todorovic, who gives it his all in the role of the haunted Milo.
-READ THE REST OF THIS ARTICLE IN FANGORIA # 295 (pages 66-68)!-